reading

The Legend of Whomper: Dreamcrafter

Posted on by Remy St. Gallen

The Legend of Whomper, Book 3: Dreamcrafter

The Legend of Whomper, Book 3: Dreamcrafter by Chris Farrington

My rating: 4 of 5 stars

The third installment of author Chris Farrington’s The Legend of Whomper series opens with the titular protagonist, a chubby blue fox, seeking a healer for his instructor, the Edgemaster (or just “Edgemaster” as he’s awkwardly called throughout the graphic novel). After finding a temple of healers in comas, Whomper dreams of interacting with the rabbit Remmy, one of the eponymous Dreamcrafters, with he and Skyla flying to the jungle to another shrine where they sleep and enter the Dreamscape. Whomper reunites with Remmy while dreaming and is shown a system of visible dreams and nightmares where he can battle imaginary monsters.

Grescam, the Dreamdragon, attacks the dream city of Lagos-4 with Whomper and Skyla training so they can better deal with him. This includes tasks such as the fox fighting a doppelgänger in his dreams. Grescam reappears, after which Whomper travels to the god Lord Hypnos’ chamber, where the backstory on the Dreamdragon is revealed. Meanwhile, Remmy and Skyla battle the Lord of Nightmares, and Whomper retaliates against the Dreamdragon with help from a mystical hammer called the Dreamsmasher. After the conflicts, Whomper and Skyla travel to Hammer Forge, where the latter goes to a bar to discuss her lover’s youth.

The third entry concludes with an entertaining look at Whomper and Skyla in prehistoric life, followed by a nice anecdote featuring minor characters. In summary, I enjoyed this graphic novel, an excellent continuation of its predecessors, given the second entry’s foreshadowing of its events. As before, Farrington’s character designs are cute, colorful, and unique, even if the story isn’t wholly family-friendly. Moreover, issues from its precursors return, like awkward dialogue and punctuation errors. Furthermore, all text is capitalized, making it vague whether important terms are capitalized at their beginnings. The story also didn’t fit my entire iPad, but I would recommend installment number three to those who enjoyed previous books.

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Mental Spring Cleaning

Posted on by Remy St. Gallen

After struggling endlessly to read traditional textual books, I decided, for sake of my mental health, to stop, even though I was in the middle of a fantasy trilogy, which to me is no big loss since I didn’t really care about the characters, the setting, or whatnot, and the books will probably never be adapated to feature film, anyway. From now on, I’ll only be reading books that have been adapted into film or will be adapted into film, are part of series I genuinely care about and love (like Star Wars), graphic novels, comics, nonfiction books that aren’t puff pieces or hatchet jobs or in any fashion political or antireligious, and so forth. Decluttering my life in this regard has actually been mildly therapeutic, surprisingly.

The Wind in the Willows (1995)

Posted on by Remy St. Gallen

I may have heard of Kenneth Grahame’s The Wind in the Willows before seventh grade before I read the actual book, given its intelligent animal cast. After reading it, it remained one of my all-time favorite pieces of literature, mildly influential upon my written word. Numerous adaptations have spawned since the dawn of film and television (most on the latter), with Disney being among the earliest studios to take a crack at it by combining it with their interpretation of Washington Irving’s completely unrelated short story The Legend of Sleepy Hollow.

Among the more contemporary (sort of) adaptations is the 1995 British animated television film produced by the TVC (Television Cartoons) in London (likely defunct since nothing has come out of the studio since 2001). It opens with a live-action sequence where a Victorian woman begins to tell her children the tale, which quickly morphs into a full-fledged animated film. The story proper starts with Mole, disillusioned with spring cleaning, emerging from his underground home to meet and befriend Ratty (just called Rat in this adaptation), with both having a picnic with another river inhabitant, Otter, and his young pup, Portly.

Then they join the wealthy Mr. Toad, who takes them on a trip with his gypsy caravan, but the amphibian hastily develops a fascination with motor vehicles when one causes his carriage to crash. The following spring, Ratty, Mole, and their friend, Mr. Badger, attempt to dissuade their amphibian friend from his obsessions, but he steals and crashes a car, earning a score-long prison sentence. He ultimately escapes with the help of the jailer’s daughter, encountering various tribulations before reuniting with his companions and taking back Toad Hall when weasels seize it. 

Overall, I enjoyed this adaptation, though I can’t wholly attest to its faithfulness to the source material (but it seems to do so, at least in my memory). The bookends of the Victorian woman telling her children the story seem unnecessary. However, I liked the various costumes of the animal characters, Otter in particular, and the animation was pleasant. I would gladly reread the book were I to get the time and watch its other adaptations, probably excluding the live-action ones since most seem to star humans that look nothing like the animals they allegedly play. Regardless, I don’t regret watching this film and would recommend it.

The Legend of Whomper: A Thousand Men

Posted on by Remy St. Gallen

The Legend of Whomper, Book 2: A Thousand Men

The Legend of Whomper, Book 2: A Thousand Men by Chris Farrington
My rating: 4 of 5 stars

The second entry of Chris Farrington’s Whomper graphical novel series, mostly a collection of previous comics sharing an overarching story, opens with the eponymous pudgy fox protagonist training with his new master, the Edgemaster. Meanwhile, his partner and dragoness love interest Kayla is at magic school, given the advice to purge her “logical side.” Furthermore, the armies of the hostile nation of Menevo are on the march, with Whomper yearning to confront them and their enigmatic leader, Emperor Nocturn. However, the Edgemaster warns him not to rush into combat, with the Emperor’s three generals having conquered many nations.

After reuniting, Whomper and Skyla fly to Valgus, battling a pig captain and his unit of earth elementals. Following this conflict, they receive information about Emperor Nocturn’s generals, which include the black female science-loving unicorn Limerick, the male “undefeated” tiger Haiku, and the vague and possibly two-headed Couplet. After battling a few more unit captains, they fly to Fox City, with Whomper reuniting with his father, with the vulpine warrior running away from his family when he was seven. The novel further reveals Whomper’s backstory, encompassing his training with Gryzak and Lyktor.

The imperial army invades Fox City, with Whomper and Skyla flying to Emperor Nocturn’s airborne fortress, where they battle his generals (whose backstories come to light) and confront the imperial leader himself, with the graphic novel exposing secrets that include his appearance and species. After the conflict, more of Whomper’s backstory is revealed, including what became of his mother and what motivated him to become a warrior. The graphic novel concludes with Whomper confronting a priest worshipping Xilinx in a Raccoon City graveyard, followed by an anecdote with Dextrose and his wild cat, Taffy.

Overall, I enjoyed the second installment of Farrington’s graphic novel series, having enjoyed its predecessor. While the animal character designs are beyond cute, there is some mature content, like occasional cannibalism and blood, exemplifying the saying, “Don’t judge a book by its cover.” The action is easy to follow, the continuity between it and the first book is clear, humor abounds, the character backstories are intricate, and the battle scenes are astounding. However, issues exist like the often-unreadable font and maybe some name inconsistencies. Regardless, those who liked its precursor will enjoy the sequel, and I will continue reading the series.

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Daily Prompt, 4/7/2024

Posted on by Remy St. Gallen

Daily writing prompt
If you could be a character from a book or film, who would you be? Why?
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Can’t think of any specific characters, but probably any of the mentats from the Dune franchise, since I wish I could have my mind and thoughts superbly organized and mimic computer abilities like being able to commit new ideas to memory, recall that which is important, and block things that trigger me.

A Threat of Shadows

Posted on by Remy St. Gallen

A Threat of Shadows (The Keeper Chronicles, #1)

A Threat of Shadows by J.A. Andrews
My rating: 4 of 5 stars

The first entry of author J.A. Andrews’ The Keeper Chronicles fantasy series opens with the protagonist, the “Deeper” Alaric, riding through the wilderness on his trustworthy horse Beast, his destination the stronghold of the order to which he belongs, the franchise’s eponymous Keepers. Alaric seeks an antidote to his wife Evangeline’s poisoning, during which she is in magical stasis. He believes a mystical artifact known as the Wellstone holds the key to healing his beloved, with the long-deceased Kordan, a Keeper and wicked sorcerer, potentially holding further clues in one of his old logs.

Alaric bands with the dwarf Douglon, the elf Ayda, the old sorcerer Wizendorenfurderfur the Wondrous (Gustav for short), and a young man named Brandson to seek the Wellstone. Douglon has issues with his cousin Patlon; their rivalry gets a sizeable focus later in the novel. The party travels to Bone Valley, where they encounter a dragon with whom Ayda attempts communication to ward off. Revelations abound regarding Ayda’s backstory, a betrayal, and consequential quest to stop the resurrection of Mallon, a ruthless Shade Seeker with the title of “Rivor” who disappeared eight years before the book’s events.

Overall, despite the negative first impression given by the glaring error in the book’s opening sentence (though mercifully, such oversights aren’t endemic through the novel), I found the first The Keeper Chronicles book to be enjoyable, given the relatively straightforward, linear narrative, unpredictable revelations and twists, and coherent backstory. However, many names are unoriginal, like “Queensland,” and titles like “Rivor” are unusual. Vagueness occasionally abounds as well, with a poor initial explanation of whether King Horgoth is a dwarf or human, not to mention unclear uses of pronouns and phrases like “the gem.” Regardless, I enjoyed this book and will continue reading the series.

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Wonka

Posted on by Remy St. Gallen

I remember watching the original Willy Wonka and the Chocolate Factory starring the late Gene Wilder back near the end of fourth grade, and it remained an endearing classic in my mind to the point where I rewatched it a few times when it appeared on television the following decades. I never read the Roald Dahl book and maybe saw Tim Burton’s adaptation once a few years after it was released. It’s been a bit of a curse for film adaptations of Dahl’s work to falter financially at the box office as the 1971 movie did (though Burton’s version and this were exceptions).

This prequel serves as a companion piece to both the 1971 film and Dahl’s original novel, starring Timothée Chalamet (whom I know best as Paul Atreides in the latest adaptations of Frank Herbert’s Dune) as the eponymous fledgling chocolatier, twenty-five years before the events of the first Willy Wonka film. When he returns home, he struggles financially yet finds ways to make ends meet as he grows his chocolate business. An Oompa Loompa named Lofty, portrayed by Hugh Grant like the non-dwarf actors portraying the halflings in the Lord of the Rings films, eventually aids Wonka in his endeavors. Oh, and the film’s a musical.

While I have fond memories of the original Gene Wilder film, I didn’t have any expectations before watching this prequel film but ended up enjoying it. The musical numbers are pleasant, with many original tunes alongside staples of the 1971 movie like “Pure Imagination” and “Oompa Loompa” (with Grant singing a quirky ending credits epilogue for the various characters to its tune). The cast performances are superb, the settings well executed, and the effects brilliant, accounting for an entertaining movie that does the novel and first film adaptation justice.